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La Marseillaise on Arc de Triomphe by Rude
[b]From the collection of John Birks[/b]

Henri Dubois' rendition of Rude's The Departure of the Volunteers of 1792 (or "La Marseillaise"), the most famous of the four reliefs on the faces of the arch flanking the opening of the Arc de Triomphe.  This emotional composition depicts the French people rallying against enemies from abroad. (Rude's own father had been one of these volunteers.) These citizens, both nude and in classical armor, are roused to patriotic fervor by the Roman goddess of war, Bellona, who also has been identified as a personification of Liberty. This grouping so aroused spectators' patriotism that the work became known as "La Marseillaise," the French national anthem written in 1792 -- the same year as the departure of the volunteers.

La Marseillaise on Arc de Triomphe by Rude

From the collection of John Birks

Henri Dubois' rendition of Rude's The Departure of the Volunteers of 1792 (or "La Marseillaise"), the most famous of the four reliefs on the faces of the arch flanking the opening of the Arc de Triomphe. This emotional composition depicts the French people rallying against enemies from abroad. (Rude's own father had been one of these volunteers.) These citizens, both nude and in classical armor, are roused to patriotic fervor by the Roman goddess of war, Bellona, who also has been identified as a personification of Liberty. This grouping so aroused spectators' patriotism that the work became known as "La Marseillaise," the French national anthem written in 1792 -- the same year as the departure of the volunteers.

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